http://www.typography.com/fonts/gotham/inside/gotham-narrow
A new and economical Gotham, specifically designed for text.Typefaces whose letterforms are rooted in the square and circle are known as "geometrics," and they're one of typography's great paradoxes. Their wide proportions and open shapes make them easy to read at text sizes, and a well-designed geometric can reinforce this clarity through careful attention to the design's internal proportions as well. (Gotham's large lowercase has dilated features, succinct ascenders and descenders, and a generous fit, which combine to make Gotham especially clear at text sizes and below.) But because geometrics are wider than average, they can be difficult to use in narrow columns, which is exactly where text most often appears.
Gotham Rounded Font Family $180 | 8 x OTF And PostScript | Turkish Support
http://www.typography.com/fonts/gotham-rounded/overview/
Gotham Rounded is a technical letter that goes from friendly to high-tech to cheeky with ease.Our Gotham typeface, inspired by signs on buildings, celebrates the workmanlike “draftsman’s alphabet” at a monumental scale. Similarly unadorned, but at a more intimate size, is the lettering of engineering: the marks on precision instruments, blueprints, stencils and templates. Drawn, stamped, engraved and routed, these forms are sensitively captured by our new Gotham Rounded family, available in eight styles including italics.
Gotham Extra Narrow Font Family $300 | 16 x OTF | Turkish Support
http://www.typography.com/fonts/gotham/inside/gotham-extra-narrow
As a typeface's design approaches extreme proportions, its visual themes begin to take a back seat to spatial considerations. Condensed fonts will favor consistent spacing above all else, a priority which manifests itself in Gotham Condensed through the addition of new visual strategies. On letters like C and S, stroke endings that were once sheared perpendicularly will end vertically instead; joins in lowercase letters that once appeared monolinear become palpably thinned.On any continuum of font widths, there's a point at which designs cease to feel "natural" and begin to feel "condensed" instead. In the Gotham family, Gotham Extra Narrow is the last stop before that turning point. It shares all the characteristics of the wider Gothams, but is 20% narrower than Gotham Narrow (and 30% narrower than the regular width Gotham). Though well-suited to headlines and subheads, it shares with the wider Gothams a propensity for text sizes, and includes all the features required of a hard-working text face: a sound Book weight, tabular figures and fractions, and a healthy range of weights from Thin to Ultra, complete with italics throughout.
Gotham Bundle - 12 Families | 138 Fonts - Extended Latin, Greek, Cyrillic
Every designer has admired the no-nonsense lettering of the American vernacular, those letters of paint, plaster, neon, glass and steel that figure so prominently in the urban landscape. From these humble beginnings comes Gotham, a hard-working typeface for the ages.
Gotham Family [Updated] - Extended Latin, Greek, Cyrillic
+ ScreenSmart & Office Version
Ours is the first century in which most mass-produced letters can correctly be called “typography.” Technically speaking, typography is the product of type, the individual, recombinable characters in a typeface that are designed for printing words on paper. A century ago, a book’s pages contained typography, but its cover, spine, and illustrations featured lettering, each of the product of an artist working by hand in a different medium. Because letters made by hand had no obligation to resemble the look of printing types, different media evolved their own aesthetics: lithographed posters, engraved banknotes, and neon signs once enjoyed unique alphabetic styles.
Gotham Narrow [Updated] - Extended Latin, Greek, Cyrillic
+ ScreenSmart & Office Version
Gotham Narrow - a new and economical Gotham, specifically designed for text. Typefaces whose letterforms are rooted in the square and circle are known as "geometrics," and they're one of typography's great paradoxes. Their wide proportions and open shapes make them easy to read at text sizes, and a well-designed geometric can reinforce this clarity through careful attention to the design's internal proportions as well. (Gotham's large lowercase has dilated features, succinct ascenders and descenders, and a generous fit, which combine to make Gotham especially clear at text sizes and below.) But because geometrics are wider than average, they can be difficult to use in narrow columns, which is exactly where text most often appears.